|Introduction to the New Edition|
|Art History: Making the Visible Legible|
|Art as History|
|Preface to Part III of 'The Lives'|
|Reflections on the Imitation of Greek Works in Painting and Sculpture|
|Winckelmann Divided: Mourning the Death of Art History|
|Patterns of Intention|
|What is Enlightenment?|
|Philosophy of Fine Art|
|Impure Mimesis, or the Ends of the Aesthetic|
|Form, Content, and Style|
|Principles of Art History|
|'Form', Nineteenth-Century Metaphysics, and the Problem of Art Historical Description|
|Anthropology and/or Art History|
|Leading Characteristics of the Late Roman 'Kunstwollen'|
|Images from the Region of the Pueblo Indians of North America|
|Warburg's Concept of 'Kunstwissenschaft' and its Meaning for Aesthetics|
|Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History|
|Mechanisms of Meaning|
|Iconography and Iconology: An Introduction to the Study of Renaissance Art|
|Semiotics and Iconography|
|Semiotics and Art History: A Discussion of Contexts and Senders|
|The Limits of Interpretation|
|The Temptation of New Perspectives|
|The Origin of the Work of Art|
|The Still Life as a Personal Object - a Note on Heidegger and van Gogh|
|Restitutions of the Truth in Pointing [Pointure]|
|Authorship and Identity|
|What is an Author?|
|The Discourse of Others: Feminists and Postmodernism|
|Re-Viewing Modernist Criticism|
|Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory|
|'Every Man Knows How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics|
|Globalization and its Discontents|
|Orientalism and the Exhibitionary Order|
|The Museum as Ritual|
|The Work of Art in the Age of its Technological Reproducibility (Third Version)|
|Can Our Values be Objective? On Ethics, Aesthetics, and Progessive Politics|
|Visual Culture Studies: Questions of History, Theory, and Practice|
|'Life-Like': Historicizing Process in Digital Art|
|Epilogue: The Art of Art History|
|Coda: Plato's Dilemma and the Tasks of the Art Historian Today|
|Table of Contents provided by Publisher. All Rights Reserved.|
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