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European Cinema and Contemporary Philosophy Thinking Cinema as Post-Enlightenment Practice,9781441182210

European Cinema and Contemporary Philosophy Thinking Cinema as Post-Enlightenment Practice

by
Format: Paperback
Pub. Date: 3/23/2017
Publisher(s): Bloomsbury Academic
Availability: This title is currently not available.

Summary

This groundbreaking inaugural volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book interrogates the borders of ethics and politics and roots itself in debates about post-secular, post-Enlightenment philosophy.
By defining a cinema that knows that it is no longer a competitor to Hollywood (i.e. the classic self-other construction), Elsaesser also thinks past the kind of self-exoticism or auto-ethnography that is the perpetual temptation of such a co-produced, multi-platform 'national cinema as world cinema'. Discussing key filmmakers and philosophers, like: Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, Elsaesser is able to approach European cinema and assesses its key questions within a global context. His combination of political and philosophical thinking will surely ground the debate in film philosophy for years to come.

Author Biography

Thomas Elsaesser is a research professor in the Department of Media and Culture at the University of Amsterdam, The Netherlands. An important representative of international film studies, his works on film theory, genre theory, Hollywood, film, history, archeology media and new media, the European cinema d'auteur and installation art have been published in more than 20 languages.

Table of Contents

Introduction: 'Re-Thinking European Cinema: Enlarging the Context'
Chapter 1: 'Post-Heroic Narratives: Jean-Luc Nancy, Claire Denis, and Beau Travail'
Chapter 2: 'Hitting Bottom: Aki Kaurismäki and the Abject Subject'
Chapter 3: 'Michael Haneke: Frames, Games, and Performative Self-Contradiction'
Chapter 4: 'Lars von Trier and Slavoj Zizek: Creative Constraints and the Paradoxes of Christianity'
Chapter 5: 'Experimenting with Death in Life: Fatih Akin and the "Ethical Turn"'
Conclusion

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